This is the first appearance of Captain America's wedge-shaped shield. With issue #2, he began using his more traditional, red and white, disk shield. Marvel Comics released a four-issue comic prelude by writer Will Corona Pilgrim and artist Szymon Kudranski, beginning in December 2015, that adapted the events of Iron Man 3 and Captain America: The Winter Soldier. [212] On February 10, Marvel Comics released another comic prelude, a single-issue infinite comic set between The Winter Soldier and Civil War. [213] Written again by Pilgrim, the comic is told from the perspectives of Barnes, Rumlow, and Rogers, showing how each ended up where they begin Civil War. Art for each character's perspective is provided by Lee Ferguson, Goran Sudžuka, and Guillermo Mogorron, respectively. [214] Release Theatrical Having assisted in stealing Captain America's Uniform from the Smithsonian exhibit, Falcon joined him and Maria Hill as they broke into the Triskelion and secured the control room, taking Moore and the other controllers captive. Once they all

Farci, Devin (January 29, 2016). "Captain America: Civil War Is Testing Through The Roof". Birth.Movies.Death. Archived from the original on February 1, 2016 . Retrieved February 1, 2016. According to Young Allies Comics 70th Anniversary Special #1, several of the Golden Age adventures depicted in this issue and other Timely Comics works are fictionalized adaptations of the real events; this issue's first story, the origin of Captain America, possibly adapted in-universe the events shown in Tales of Suspense #63 with some differences. From an out-of-universe perspective, the events of this issue have been retconned in later Silver Age retellings due to the presence of the Comics Code Authority, which imposed the removal of some specific features from comic books, including blood, injections, explicit deaths and similar factors. a b Kit, Borys; Siegel, Tatiana (June 23, 2015). "Robert Downey Jr. and Secret Screen-Tests: How the New 'Spider-Man' Team Was Chosen". The Hollywood Reporter. Archived from the original on June 24, 2015 . Retrieved June 25, 2015. Look, whoever he used to be, the guy he is now, I don't think he's the kind you save. He's the kind you stop."a b Miller, Ross (March 10, 2016). "Spider-Man makes first appearance in new Captain America: Civil War trailer". The Verge. Archived from the original on March 11, 2016 . Retrieved March 10, 2016. MARVEL COMICS January 2016 Solicitations". Newsarama. October 20, 2015. Archived from the original on October 29, 2015 . Retrieved November 11, 2015.

Wilson held a group session with Armed Forces veterans who were suffering from PTSD as he helped Garcia, who was struggling with visions of IEDs in the roads. Once Garcia had finished her confessions, Wilson spoke to the group about what they kept with them from their experiences with war and what they left behind. He used a metaphor of carrying the memories in a bag as he offered advice in separating their time in the military from their time being at home, where they were trying to relive as civilians. Toro, Gabe (September 22, 2011). "Chris Evans Says 'Captain America' Sequel Might Not Arrive Until 2014". IndieWire. Archived from the original on June 6, 2012 . Retrieved September 22, 2011. a b Truitt, Brian (March 11, 2016). "Exclusive: Marvel launches program for girl scientists". USA Today. Archived from the original on March 12, 2016 . Retrieved March 11, 2016. Captain America: Civil War was the first film to use IMAX's digital 2D cameras, made in partnership with Arri, which was a customized version of the Arri Alexa 65. According to Joe Russo, approximately fifteen minutes of the film, the sequence where the two factions fight at Leipzig/Halle Airport, which was described as having "incredible scale to it" and referred to by the directors as the " splash panel", were shot with the cameras. [56] [126] Opaloch noted that there were discussions late in pre-production to shoot the entire film with the Alexa 65 cameras. However, because of how close it was to the start of shooting as well as the idea being "such a large-scale undertaking", it was decided to only use them for the airport sequence, with the rest of film being shot on Arri Alexa XT digital cameras. For the airport sequence, Opaloch rigged the Alexa 65s to a Technocrane, a Steadicam, a dolly as well as a drone for flyover shots, which had its own dedicated team operating it. Because of the amount of resolution the Alexa 65s offered, Opaloch chose to use medium close-ups instead of close-ups, and for his wide shots, hold the shot a bit longer, "maybe with a slight camera move that allows the viewer to take it all in." [158] Post-productiona b Hughes, Mark (March 10, 2016). " 'Captain America: Civil War' Trailer Reveals Spider-Man (As It Should)". Forbes. Archived from the original on November 6, 2018 . Retrieved February 15, 2019. Russell, Scarlett (March 16, 2016). "The Russo brothers sneak a Captain America: Civil War shot into a behind-the-scenes set video". Digital Spy. Archived from the original on March 18, 2016 . Retrieved March 17, 2016. Anderson, Kyle (December 8, 2015). "Even Tom Holland, who plays Spider-Man, doesn't quite know what Spider-Man does in Civil War". Entertainment Weekly. Archived from the original on December 10, 2015 . Retrieved December 14, 2015. a b McNary, David (June 10, 2015). "Marvel Unveils 'Captain America: Civil War' Licensees (Exclusive)". Variety. Archived from the original on June 11, 2015 . Retrieved June 10, 2015. Stark discovers evidence that Barnes was framed by Zemo and convinces Wilson to give him Rogers' destination. Without informing Ross, Stark goes to the Siberian Hydra facility and strikes a truce with Rogers and Barnes, unaware that they were secretly followed by T'Challa. They find that the other super-soldiers have been killed by Zemo, who then shows them footage that reveals that the automobile Barnes had intercepted in 1991 contained Stark's parents, whom Barnes subsequently killed. Enraged that Rogers kept this from him, Stark turns on them both, leading to an intense fight, in which Stark destroys Barnes' robotic arm, and Rogers disables Stark's armor. Rogers departs with Barnes, leaving his shield behind. Satisfied that he has avenged his family's deaths in Sokovia from the Avengers' actions by successfully fracturing them, Zemo attempts suicide, but he is stopped by T'Challa and taken to the authorities.