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The vari-angle hinge also means that the screen can be made clearly visible whether the camera is in portrait or landscape orientation. Like the S5II, the S5IIX has a 3.68-million-dot OLED viewfinder with a refresh rate of 60 or 120fps. That resolution is up from the 2,360,000-dot OLED electronic viewfinder in the original S5. The Panasonic S1R and S1 both have 5,760,00-dot viewfinders, but putting that in the S5IIX would push its price up.
There's excellent in-body image stabilization that delivers up to 6.5 stops of compensation whether you're shooting stills or video – and it's definitely among the best in the business for a full-frame camera. A new file will be created to continue recording if the continuous recording time exceeds the following conditions. The 3” vari-angle monitor is crisp and clear and is also touch-sensitive. The OLED EVF is superb, with plenty of detail provided by its 3,680K dot resolution.A range of picture profiles including 14+ stop V-Log/V-Gamut are available on both models, as well as a new REAL TIME LUT function enabling colour grading LUTs to be uploaded to an SD card and directly applied in-camera rather than in post-production. The fan means the S5 II can record for unlimited periods in most of its video modes, as tested by Panasonic at temperatures of 40°C (104°F). Panasonic points out that most of its rivals only quote figures for 22–25°C (72–77°F), which is significantly less demanding and less representative of average temperatures across much of the US. Video Enjoy creative live streaming with digital single lens mirrorless cameras, both indoors and outdoors. Live streaming (RTMP/RTMPS protocol) can be easily configured via the LUMIX Sync app (Android / iOS). In environments with a lot of radio interference, stable communication speed can be ensured by tethering the camera via USB to a smartphone. Motion pictures with 400Mbps or less: External USB-SSD, SD memory card with Video Speed Class 60 or higher
If you’re on the fence about those features and see them more as nice to haves, it may be worth saving your money and putting it towards one of the excellent LUMIX S F1.8 prime lenses. However, I would say it’s better to get a camera you can grow into. Even if it has features you may not feel you need right now, if you can afford it, it could make more sense to get the higher specced model as it will likely serve you in the long term as your filmmaking evolves. The S5 II continues to use the DMW-BLK22 battery from the previous version, which means it's also fully compatible with the same AC adaptor, DC coupler and dedicated battery chargers as the Mark I. The LUMIX S5IIx will be available from June 2023 as a body only, as well as S 20-60mm lens kits and S 20-60mm with S 50mm F1.8 Twin lens kits. This won't be available until June 2023 - with only a few key feature differences between them, you can decide if you want to buy the S5II now or wait until the S5IIx. The LUMIX S5IIx will be available from June 2023 as a body only, as well as S 20-60mm lens kits and S 20-60mm with S 50mm F1.8 Twin lens kits. As the S5II and S5IIX offer full-sensor recording (or ‘Open Gate’ as Panasonic calls it), the footage can be cropped to a variety of aspect ratios for use on social media without significant loss of image quality.The original LUMIX S5 was one of the best mirrorless cameras around, and gained a reputation for being an outstanding video production tool. Both S5II models continue that legacy, featuring similarly powerful specs to appeal to the firmly video-oriented side of the ‘hybrid’ (meaning photo and video capable) mirrorless market. These two cameras, the S5IIX in particular, are not playing around — while many of today’s video-focused hybrids are geared towards vloggers and social media creators, you need only look at the number of resolutions and formats the S5II models offer to realize they’re aimed squarely at filmmakers and hardcore videographers, not TikTokers.
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